Eurovision winner Conchita Wurst, also known as Tom Neuwirth, recently took to the stage at the Vienna Volksoper for a special ‘Pride Edition’ of Johann Strauss’s classic operetta, ‘Die Fledermaus’. The production, which premiered on Tuesday evening, is already being hailed as an opera highlight of the year.

Conchita takes on iconic role and makes surprise appearance

Conchita performing (Photo credit: ORF)

In this unique ‘Pride Edition‘ of ‘Die Fledermaus‘, Tom Neuwirth embodied the comedic key role of Frosch, the prison guard. This role is traditionally a speaking part and has been played by various prominent figures. Neuwirth’s portrayal brought a fresh, contemporary touch to the character.

Adding to the excitement, Conchita also made a surprise appearance during Prince Orlofsky’s segment, further delighting the audience.

A queer reinterpretation of a classic

The Volksoper’s ‘Pride Edition’ recontextualises the classic operetta, offering a distinctly queer perspective on the beloved work. The new text version, created by Jürgen Bauer and Moritz Franz Beichl, transforms Johann Strauss’s masterpiece into a timely and humorous exploration of love, identity, and societal norms.

The production delves into the idea that the traditional ‘prank’ at the heart of the operetta could, in fact, conceal the secret love between two men living under societal conventions. This reinterpretation gives the play a new dynamic, turning a classic entertainment piece into a revealing exploration of hidden truths.

Volksoper director Lotte de Beer emphasised the importance of re-telling familiar stories, questioning gender roles, and highlighting the diversity of love and identity, especially given Tom Neuwirth’s significant role in the Pride community as Conchita Wurst.

This ‘Pride Edition’ is presented during Pride Month in June, serving as a clear artistic statement for diversity in a time when queer life faces increasing international pressure.


Sanjay (Sergio) joined esctoday.com in December 2006 as an editor. He was appointed as the Head of Press of ESCToday.com in 2011. Hereafter in 2016 he was promoted as the Head of International Relations & Communications at ESCToday. Sergio has covered the Eurovision Song Contest live 23 times since 2000, having worked for several international magazines and media outlets.