RTP, the Portuguese national broadcaster and the EBU have revealed the stage design for the forthcoming 2018 Eurovision Song Contest.

The stage for the 2018 Eurovision Song Contest has been designed by Florian Wieder, who has been responsible for several Eurovision stage designs previously, more recently the 2017 stage in Kyiv.

The 2018 Eurovision stage design has been inspired by Portugal’s nautical history and heritage and the hull of a ship.

Florian Wieder says:

The rich history of the Portuguese as a maritime nation reflects, without any boundaries, all of the values that make the Eurovision Song Contest unique today. Portugal and especially Lisbon are historic melting pots enriched by the impressions of newly discovered cultures that were brought back to the home port. This is mainly due to the Portuguese sailor men, who traveled the seas with courage and outstanding skills of navigation.

The 2018 Eurovision Song Contest will take you on an expedition through many different cultures in Europe and around the world. A journey through the high seas of music that pursues to discover, connect and ultimately unite the nations. Portugal stands for bringing together countries and their cultures. In 2018 Portugal will unite the music of Europe. With this Eurovision Song Contest stage, Portugal will be the navigator and compass again.

The 4 key factors behind the stage’s inspiration

Florian Wieder explained that the stage for the 2018 Eurovision Song Contest has been inspired by four key points linked to Portugal’s culture and history: Navigation, The Sea, The Ships, The Maps.

  • Navigation: The flag of Portugal features an armillary sphere. The armillary sphere is also featured in Portuguese heraldry, associated with the Portuguese discoveries during the Age of Exploration. For this reason the armillary sphere becomes the visual key element in the design concept.
  • The Sea: The sea gives us a sense of freedom and clarity making it one of the most peaceful places on earth. The design of the stage shows a modern interpretation of a sweeping wave and its organic shape.
  • The Ships: The Portuguese have been masters in crafting ships since the ancient times. They were able to explore the world because of this outstanding skill. The structure of the stage is inspired by these pieces of boatbuilding art.
  • The Maps: A map is a diagrammatic representation of land and sea. The radial lines of a map spread out in different directions to connect all of these places. Lisbon becomes the centre where all of the lines come together.

Mr. Paulo Resende (RTP/Deputy Executive Producer of Eurovision 2018) says:

The conceptual requirements aimed to breathe a Portuguese identity, to be elegant, modern and, at the same time, unique and distinctive .To ensure the difference from previous editions this stage should represent a strong statement by itself. The result was an outstanding masterpiece designed by Florian Wieder that entirely meets the concept and editorial narrative for this project.

Mr. Paulo Resende explained that the design is also reflective of Portugal’s history and culture.

It reflects a Portuguese identity in a very elegant and distinctive way, addresses a certain modernity respecting the Portuguese legacy and, moreover, the created visual ambiance underlines a consistent difference. This will be the right staging for all the performers to express their songs and artistic moments and, certainly, no one shall remain unresponsive and indifferent.

Mr. Jon Ola Sand (Eurovision Executive Supervisor) says:

As with the logos and slogan for the 2018 Eurovision Song Contest, the stage design draws from the inspiration of Portugal’s history and of the Ocean very well. It will create a very distinctive look and feel for this year’s performers, and we look forward to seeing this intricate and modern set up in action next May.

The 2018 Eurovision Song Contest is scheduled to be held on 8, 10 and 12 May at the Altice Arena in Lisbon, Portugal.


Sanjay (Sergio) joined esctoday.com in December 2006 as an editor. He was appointed as the Head of Press of ESCToday.com in 2011. Hereafter in 2016 he was promoted as the Head of International Relations & Communications at ESCToday. Sergio has covered the Eurovision Song Contest live 23 times since 2000, having worked for several international magazines and media outlets.